"Richard Causton has been a significant figure in contemporary British music for almost two decades now...[Millennium Scenes, NMC D192] is an invaluable release that anyone with an interest in contemporary music - British or otherwise - needs to acquire."

Richard Whitehouse, International Record Review

HOME

Richard Causton
Photo: Katie Vandyck

Richard Causton studied at the University of York, the Royal College of Music and the Scuola Civica in Milan. He has worked with ensembles such as the BBC Symphony Orchestra, Philharmonia Orchestra, City of Birmingham Symphony Orchestra, Orchestra of the Age of Enlightenment, Sinfonieorchester Basel, Rundfunk-Sinfonieorchester Saarbrücken, London Sinfonietta, Birmingham Contemporary Music Group, Britten Sinfonia and the Nash Ensemble. His music has been recorded on the NMC, Metier, Delphian and London Sinfonietta labels.

In 1997 he was awarded the Mendelssohn Scholarship, which enabled him to study in Milan with Franco Donatoni. Other distinctions include First Prize in the Third International ‘Nuove Sincronie’ Composition Competition, a British Composer Award and a Royal Philharmonic Society Award. In 2003-5, Causton was Fellow in the Creative Arts at Trinity College, Cambridge.

In addition to composition, Causton writes and lectures on Italian contemporary music and regularly broadcasts for Italian radio (RAI Radio 3).

Recent works include Twenty-Seven Heavens for orchestra, commissioned as part of the London 2012 Cultural Olympiad and premièred at the Amsterdam Concertgebouw under the direction of Gianandrea Noseda, as well as solo pieces for pianist Piotr Anderszewski and cellist Anssi Karttunen.

In October 2012, Causton took up the newly-created post of Lecturer in Composition at the University of Cambridge. He is currently a House Composer at English National Opera and is also working on a BBC commission for the Nash Ensemble.

Causton's music is published exclusively by Oxford University Press.